India-Pakistan relations follows a familiar pattern. Leaders of the two countries meet, usually on the sidelines of an international summit, and announce resumption of talks at the level of officials. Within a few days, they trade allegations of ceasefire violations. Every now and then there is a terrorist attack in India that traced to a Pakistan-based jihadi group. Pakistan accuses India of supporting terrorists operating on its soil. A war of words ensues, talks get derailed only to be resumed with much fanfare after the next meeting of Prime ministers.
Why does the dialogue between the two neighbours that share so much appear more like exercising on a verbal treadmill? Because the fundamentals of the relationship are frozen but as nuclear powers they cannot afford not to engage with one another.
The current generation sadly sees Pakistan as the country of Hafiz Saeed, Zakiur Rehman Lakhvi and the terrorists that attacked Mumbai. On the other side, Pakistanis continue to be told that India is an existential threat and a permanent enemy.
At such an environment, pigeons coming from Pakistan into Indian Punjab get detained by police as potential Pakistani spies and what seems to be a Chinese-made plaything drone becomes the subject of protest by the Pakistan government.
India want to be the big brother who talks peace. Love-hate cycle. Nothing stops Pakistani people from consuming popular Indian culture in the form of our movies, music and television. In the modern world culture, media and technology plays as crucial a role as weapons and diplomacy. Lets not talk to them. Lets invade them. Not with guns, but with culture.